Search engine optimisation Ye-ji’s reasonable and uncooked portrayal of trauma: From Lawless Lawyer to It’s Okay To Not Be Okay


Maybe it’s her sonorous voice, piercing eyes or sarcastic smile, or perhaps it’s a mixture of all three, but it surely’s onerous to disclaim the ability of Search engine optimisation Ye-ji, when she enters a scene. She is aware of find out how to create an impression—and take in you into the story, with out a lot fuss. In one of many first few scenes from the internationally acclaimed present It’s Okay To Not Be Okay, Search engine optimisation Ye-ji’s character Ko Moon Younger sits with a toddler, and terrifies her with a gory fairytale. The kid leaps up and cries, and Ko Moon Younger has a wry smile on her face. We’re launched to the seemingly chilly, anti-social, brittle Moon Younger, a preferred youngsters’s creator, who writes fairly twisted and disturbing tales for kids. Looking back, it’s onerous to think about some other actor pulling off such a task.

It’s not stunning that It’s Okay introduced Search engine optimisation Ye-ji to the worldwide stage. Transferring away from the manic pixie, damsel in misery trope a typical characteristic in lots of reveals. Right here, Ye-ji performed the function of a damaged, broken girl, struggling to deal with repressed childhood trauma that retains resurfacing. Her mom was a chilly murderous narcissist, who wished for her little one to imbibe the identical frigid values as her, and to reside with out love or feeling. Moon-young’s father is shamefully negligent and takes a drastic step after studying about his spouse’s prison methods—one thing that creates a divide between him and his daughter.

Seo Yeji Search engine optimisation Ye-ji and Kim Soo-hyun within the poster of It’s Okay To Not Be Okay

Moon-young grows up alone and is unable to kind any cohesive friendships or relationships, as a result of her not-so-acceptable social expertise. Nonetheless, her manner adjustments after she meets Gang Tae, a person carrying extra burden than he ought to. Other than the inexplicable attraction, they study that their childhoods are intertwined, together with their deep horrors of their previous that neither has been capable of transfer previous. And so, begins a technique of therapeutic and closure. Removed from the notion of really being saved – a typical trope of a number of Korean dramas – she confirmed the significance of being healed.

There have been many sides to Moon-young and it required a specific mastery of performing to tackle such a task and painting vulnerability, simmering rage, mixed with overwhelming guilt that her personal mom had brought on. Not at all was Ko Moon Younger a personality that you may utterly and wholeheartedly root for, owing to her merciless nature, coupled together with her violent tendencies when it got here to defending her family members. But, you felt related to her, in some inextricable method, as a result of such was Search engine optimisation Yea-ji’s performing prowess.

Search engine optimisation Ye-ji knew find out how to not simply twist the knife, however push it in additional in a number of scenes, particularly within the ones the place her nightmares hang-out her. In a single scene, Gang Tae (Kim Soo-hyun) rushes to her room after listening to her agonised screams. She’s simply woken up from incapacitating desires and whereas he struggles to take care of her, she insists that he depart, and but continues to carry on to him. Her rasping screams and cries are notably wringing, and it’s a scene that you simply don’t neglect simply.

There have been loads of such scenes within the present. One other standout scene is the one the place she lastly visits her negligent father on the psychiatric clinic. He floats out and in of lucidity, and hallucinates about his spouse, virtually killing Moon-young. In a fairly chilling scene, Moon-young simply lies flatly on the bottom, whereas everybody else tries to save lots of her from being strangled. There’s a peculiar resignation and mockery in her eyes, as she sees her father frantically holding on to any semblance of sense in his life. It’s the face of a girl who has no heat recollections of a household, and who has nobody to name her personal.

After realising that her mom is the rationale behind the trauma that Gang Tae and his brother Sang Tae have been carrying all through their life, she begs for forgiveness in a very heartbreaking scene, as a confused Sang Tae tries to feed her. As an alternative of being abrupt, the character improvement of Moon-young was notably heartening to look at – as she softens, however but retains her brash method of speaking.

There’s all the time one thing notably absorbing a couple of present, that includes Search engine optimisation Ye-ji. It’s not going to be one thing that exists for the sake of it, or non-cerebral. Previous to It’s Okay, Search engine optimisation Ye-ji was seen within the seemingly enjoyable actioner, Lawless Lawyer with Lee Joongi – a story about revenge, justice and a quest for reality. Her character Jae-yi was onerous as nails, who didn’t purchase into the tales of corrupt attorneys, and will pack fairly the punch if wanted as she struggled to piece collectively the reality of her life. Jae-yi had her personal distressing story to inform, as her mom had vanished in her childhood – a disappearance that was linked to the homicide of Lee Joongi’s mom on the present. Stuffed with comedy, impactful emotional scenes and sharp dialogues, Search engine optimisation Ye-ji proved her mettle.

Lee Joongi Lee Joongi and Search engine optimisation Ye-ji in Lawless Laywer. (Picture: Netflix)

There’s an uncommon sense of rawness about Search engine optimisation Ye-ji’s performing that brings her near the viewers. Maybe it’s the nuanced characters that she chooses, or perhaps her capacity to painting a wide range of feelings with only a few phrases. This girl is a pressure to be reckoned with, relating to Korean leisure.


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