The interpretation of music into a visible medium is tough to say the least. An incredible track often evokes all kinds of photographs within the listener’s head…however asking that listener to outline, manage, and depict them is often like asking a snake to juggle. Add to this the foundations of platforms like MTV and YouTube, and the business facets that include selling a report, and also you’ve received your self a Sisyphean feat. That’s why we’re so excited when a band we love places out a terrific music video — as a result of we are able to see their artwork come to life in methods we perceive, however might by no means think about ourselves.
That stated, it’s additionally why so many bands have terrible music movies. And it’s not even unhealthy artists, both — nice songs by nice bands can simply find yourself with clumsy, absurd, and painfully embarrassing music movies. To showcase this phenomenon, we put collectively an inventory of superior songs which might be cursed, be it by label strain, poor artistic selections, or the technological limits of the time, with unhealthy movies.
Listed below are 11 tracks which might be arduous on the eyes however sort to the ears…
Slayer, “World Painted Blood” (World Painted Blood, 2009)
Right here’s the factor about Metalocalypse: you may inform a strong quantity of labor goes into making the efficiency animation look cool. However Slayer appeared to need to go Dethklok with out placing within the effort, and the result’s this clunky, uneven, poorly-animated video. The band actually appear to be they’ve Terrence and Phillip mouths – however even these transfer extra easily than this animation fashion (Dave Lombardo’s depiction is unquestionably essentially the most shameful). And that report was such a giant one for Slayer, too! Man, what occurred?
Arsis, “Compelled to Rock” (Starve for the Satan, 2010)
Now, with this video, we all know precisely what occurred! Arsis, a band who makes elaborate dying metallic, was seeing some mainstream recognition and, fueled by their Bodom-ish love of hair metallic, thought they might break via to a broader viewers and straddle genres. The result’s a Mötley Crüe video with no intercourse, or a dying metallic video with no darkness, or simply an exhaustingly unhealthy music video. Actually, guys — classroom? ‘E = MCROCK? The pink guitar? Who didn’t say ‘No’ alongside the best way to this?
Disturbed, “Voices” (The Illness, 2000)
Hate on Disturbed all you need, however “Voices” was a strong solution to kick off The Illness. It let the listener know that this album was right here to fucking bounce. And the video options…workplace provide torture? Blowing off a blonde chick? Sadly, this was throughout MTVs heyday, so really murdering somebody wasn’t but allowed in a music video (like when Disturbed made that video implying that it’s best to shoot newscasters who you dislike). Nonetheless, this one does a disservice to its track, which is already preventing to be higher than each different nu-metal monitor.
Meshuggah, “Shed” (Catch Thirty Three, 2005)
Oh man, you may inform that on the time, this video was a big win for Meshuggah. We’re positive this crappy CGI animation price the label a shitload of cash. However the band had been simply too huge to go scrappy and too small to essentially go for it, so as an alternative we get that youngsters’ TV present Reboot, however EDGY. The result’s a number of iTunes visualizer-looking-ass prog metallic bull shit. Woof.
Satyricon, “Mom North” (Nemesis Divina, 1996)
See, most early black movies are simply humorous. Witch hat, park within the woods – fuckin’ hilarious. However Satyricon‘s “Mom North” isn’t even that unhealthy, it’s simply solidly Not Very Good. You may have the band chopping down crosses and gingerly main Mom North herself round, nevertheless it appears like a number of this was filmed at a by-the-hour rental area close to a Norwegian mall. What a killer black metallic track – after which, man…
Slipknot, “Left Behind” (Iowa, 2001)
It’s superb how cinematic the digicam work for this video appears to be like, given how dumb its narrative is. Slipknot meat boy lives in a literal damaged residence! There are bullies, however they, uh, don’t actually do something? Not even meat boy’s egg-water cereal brings him consolation. After which, ho boy, it rains? As with Disturbed, Slipknot’s want for MTV acceptance did a grimy to this monitor’s ripping, anguished energy. Sleep without end, candy Slipknot meat boy.
Rob Zombie, “Dwelling Useless Woman” (Hellbilly Deluxe, 1998)
Look, silent movies are rad, The Cupboard of Dr. Caligari particularly so…however they’re simply not very thrilling. Rob Zombie’s music, then again, is all about high-octane, pelvic-thrusting, hard-rock thunder, particularly on this monitor. As a substitute, we have now this stripperific track’s protagonist swaying about in a white gown with eyes pointed to heaven, and the entire thing appears like a pulled punch. And with Zombie, the punch is de facto why we’re right here.
Cryptopsy, “The Pestilence That Walketh In Darkness (Psalm 91: 5-8)” (As soon as Was Not, 2005)
Oh man, Lord Worm’s again – we higher pack this video with literal worms! Let’s see what thrilling shit he does! Oh, wait, Lord Worm’s a terrific huge fucking weirdo, so he spends the entire time hunched over a bible with a pained look on his face? Wow, it’s virtually like this was not a track that wanted a music video! It’s virtually like this was a waste of Cryptopsy‘s treasured time!
Pantera, “Revolution Is My Title” (Reinventing the Metal, 2000)
Hell yeah, Pantera signify the development of American historical past! Wait, what the fuck? This weird time-jumping video for a track the place Phil sings from the perspective of Revolution itself is, effectively, wack and complicated. Greater than that, although, it feels extra-tame within the post-9/11, post-COVID, post-George Floyd, post-2020 election world. Oh, yeah, Pantera, do you know all about revolution? Reason for fuckin’ groove metallic?
Akercocke, “Leviathan” (Choronzon, 2003)
So the massive cope with Akercocke was that they had been satanists wearing three-piece fits, however then they made extraordinarily cool occult-imbued dying metallic. However holy shit, does the “Leviathan” video solely care about a type of issues. The video’s premise is that these satanic gents have their drinks poured for them whereas watching a tasteless “striptease” from an attractive libertine Matrix woman in an deserted public college. These guys appear to be their boners are chafing in opposition to their costly pants. Keep on with the shadows, boys.
Testomony, “Apply What You Preach” (Apply What You Preach, 1989)
The tip of the ‘80s was a complicated time to be a thrash band. You wished that MTV publicity, however you didn’t need to related to glam, and also you couldn’t be insane like these gnarly fuckers in Germany and Switzerland had been. The result’s so many movies like Testomony‘s “Apply What You Preach” video, the place the story is form of that Testomony are a band, and boy do they transfer quick after they play music. Price it for younger dreamboat Chuck Billy alone.