Hammerfall’s Joacim Cans: “The time to move the torch was years in the past”

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In 1993, Sweden’s second metropolis, Gothenburg, was quick changing into the hub of a significant new motion. Swedish loss of life steel had been a phenomenon for six years, however native pioneers At The Gates, In Flames and Darkish Tranquillity had been refining the weather into one thing way more melodic and complicated, making a ‘Gothenburg sound’ that was quickly to turn out to be legendary. 

Guitarist Oscar Dronjak started the yr embedded on this scene, fronting Ceremonial Oath alongside In Flames multi-instrumentalist Jesper Strömblad. Oscar may have comfortably surfed this wave as his hometown grew to become internationally famend for high quality melodeath, however he was getting stressed (and wild); by April ’93, what he calls “musical and clothes variations” led to him being successfully fired from his personal band.

“I felt my world had blown up,” confesses Oscar, however he didn’t keep glum for
lengthy. He’d begun writing an ’80s-influenced headbanger, Metal Meets Metal, for Ceremonial Oath; by the point it was completed, it was the primary music for Hammerfall.



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